Visually the speaker looks very similar to the original Fane Crescendo, but the spoke holes in the cast metal frame are not as wide, the underside of the magnet has a beleveled edge rather than a corner like the original, and the hammerite finish pattern is smaller and smoother looking. It was still fitted with Jensen P10R speakers. It's a bit brighter and bassier than the 1028P according to Eminence, but not really any better sounding than the stock Jensen speakers already in the Bassman RI. They sound harsh for the first few weeks when new, as is the case with most new speakers. The same cast metal Fane frame used for the Crescendo was also used for other speakers with various wattages, magnet sizes, speaker cone types, and voice coils. THIS 15" FANE CRESENDO 15B HANDLES A STRONG 400 WATTS AES DELIVERS A CLEAN BASS SOUND IN PORTED CABINETS CAN HANDLE EXTENDED LEVELS OF EXCURSION THANKS TO ITS' SUSPENSION & LONG THROW MOTOR STRONG DIE CAST ALUMINUM BASKET W/ PUSH BUTTON SPRING TERMINALS FOR ALL QUALITY BASS APPLICATIONS It also sounds incredibly good with a Big Muff, although there are no known recordings of David using one with a Bassman. reflections from the aluminum dust caps from the Fane Crescendo 100w speakers. The Eminence were slightly brighter and slightly dirtier at high volume. Compare these to the original Fane Crescendo clips at the beginning of this section. Last update February 2022, - There are numerous versions of the Twin Reverb that Fender has produced throughout the years. WOT'S, UH THE DEAL WITH ALL THE DIFFERENT TWIN REVERBS? Just remember these are heavy, loud 85-100 watt amps. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets from his 2006 tour with barely visible 562 were here. On the other hand, I like my small open backed Fender combos when playing clean and overdrive because they sound better filling the room. I prefer closed back cabs for most things, especially distorted electric guitar, but that is just because they sound better to me in my small studio. The cabinet was made of plywood covered with plain tweed cloth, not laquered tweed like the originals. The first time I heard these through a Hiwatt I instantly recognized the Gilmour sound. Bold, well controlled dynamics and breakup, strong low end and mids . Fender silverface Twin Reverb amp, and Dual Showman Reverb amp. For David's 2006 tour he had three WEM Starfinder 4x12" cabs. FANE was established to manufacture commercial loudspeakers for radio and television sets as well as the new hi-fi industry as the new technologies and economy of the post-war era saw a huge expansion in affordable consumer products. BLENDING CRESCENDOS WITH CELESTIONS - David nearly always runs at least two amplifiers at once in his live rigs, each going to its own speaker cabinet with its own type of speakers. I'm going to bump this. The speaker cones were ink stamped with an identification code, although many only had a partial stamp because of the curved cone shape. (Great Scott Marty!). It is named the Starfinder, after the name of the WEM Starfinder speaker cabinets that Gilmour is so much associated with, and the company is named after Rawson Sparfield Ltd, the original builder of those Starfinder cabs, although RS is not affiliated with either original company. In 1984, 1986, 1994, 2001- 2006, and 2015-2016 David combined his Fane Crescendo speakers with Celestion speakers to make a more balanced sound in his live rigs. The company's still in business. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from Pink Floyd's The paper indentification labels, usually printed in black/brown/red color, were placed on one spoke. David mixed Crescendos and Celestions for his 2015-2016 tour and according to Phil Taylor, one WEM 4x12 cab was loaded with Crescendos and used with his DR504 Hiwatt, and one was loaded Celestion G12-100 speakers for use with his Alessandro amp. The old Marshall JTM45 is also nearly an exact copy of the Bassman circuit, but substitues a 12AY7 preamp tube with a 12AX7 tube for more gain, which makes it a bit too dirty for most Gilmour tones. This speaker has had a small cone repair, its sound and looks are unaffected. Shown above - David Gilmour's WEM Starfinder 4x12 speaker cabinets loaded with Fane Crescendo 100w speakers, from his 2015 tour. I also think the low frequencies sound less flabby with closed backs, especially from a Big Muff. There are many versions of the classic Fender Bassman amp combo, but the model that David is most known for using is the reissue from 1990 called the 59 Bassman. By the mid-1980s FANE was probably the most significant professional audio component loudspeaker manufacturer in Europe. Watch this gear and we'll notify you if it becomes available again. Established in England, 1958. 2016 Fane International Limited. $400 Used - Excellent Matched Pair! Voice Coil: 2.022 inside diameter, 1.375 form length, .500 windings width, 8 ohms. Vintage Bassman amps with the 5F6-A circuit sound very close to the 59 Bassman reissue with blue frame alnicos, but depending on the speakers used, they may sound more overdriven at high volume. RS sells the speakers individually, and also loaded in their Starfinder 4x12 speaker cabinet, which is a replica of the WEM Super Starfinder 200 4x12 cabinets that David Gilmour used. However, the stock C12s in the TRRI sound really good (at least when I bought mine around 2006 they did) once they were completely broken in. Modern 'vented'Fane voice coils still utilise Arthur Falcus' revolutionary glass fibre technology. They are a perfect speaker to blend with the Hiwatt sound, and out of all of David's gear, the Hiwatt/Crescendo combo could be said to define the core foundational tone . Producing high-quality pro audio loudspeakers. This Bassman/Hiwatt setup was used for most of the 1993 Pink Floyd sessions which resulted in the Division Bell album, where David first started using the B.K. T-75s were first made in 1984 and are the most common type of Celestion speaker, so they are very easy to find. Note the extra "ground" switch on the left, which was actually a dummy switch to mimic the look of the original Bassman. So a 16ohm amplifier should be matched with a 16ohm cab running 16ohm speakers. In 1977 the circuit changed significantly to a very different sound, then came the Twin Reverb IIs in the 1980s and Red Knob Twins. Fane Crescendo speakers have a very strong magnetic field that would not be a concern at any reasonable distance. Finishing and preparation of the iconic shape Fane speaker chassis. Below are clips of my 59 Basman LTD with blue frame alnico speakers. G12-100 (T3058, 15ohm) were made in the Rola Celestion period. It was in 1967 that FANE made the significant breakthrough that would seal its reputation as a market-leading innovator. I'm thinking that the people using the Fane name nowadays have little relationship to the old company. Different tubes offer different sound characteristics, which can affect the cleanness and EQ of the tone. People sometimes mixed the two, but guitarists typically used the 130 speakers. What does matter is that the cab impedance matches the impedance of your speakers and your amplifier. Currency: Note that an amp tech will need to rebias the amp for you when you change tubes, for the best optimal sound. It also works for David's 2006 tour tones, heard on Remember That Night and Live in Gdansk. 16ohm is more efficient for tube amps and 8ohm more efficient for solid state amps. Around 2002-2003 production moved to China and the sound changed again, to something in between the 1980s sound and the more mid scooped 1990s sound. Any of those will work for the way Gilmour used the amp. There was a 1980s era Crescendos labeled "12E" with black coated frames and push tags, in both 120w four spoke frames and 180w eight spoke frames. Shown above - Three types of cap labels uses on 1970s Fane Crescendos, a black, silver, and a standard. The PRIME 18XS displayed the hallmarks of FANE ingenuity to deliver an incredible peak-to-peak excursion in excess of 60 mm to ensure fast, accurate bass in the most testing of performance environments and engineered to provide significant advantages over competing European products. Hiwatt (Reeves Custom 50) through Hi-Tone Crescendo A and Celestion G12T-75 speakers with a BKB 911 Tube Driver - Louder Than Words solo, Hiwatt (Reeves Custom 50) through Hi-Tone Crescendo A and Celestion G12T-75 speakers with a Ram's Head Big Muff - Mother solo, Hiwatt (Reeves Custom 50) through Hi-Tone Crescendo A and Celestion G12T-75 speakers with a Ram's Head Big Muff - In Any Tongue solo, Same as above, but with a Green Russian Big Muff - In Any Tongue solo, Same as above, but with a BKB/Chandler Tube Driver - In Any Tongue solo. These are famously known to be the Gilmour speaker of choice -Fane ID Code 122326, "I have two new 100-watt Fender Twin Reverb heads running to two 4xl2 cabinets each-two WEM cabinets with Fane Crescendo speakers and two Marshall cabinets with Celestions." The Eminence Tonker and Tonkerlite speakers were rumored to be Crescendo clones. These are typically sold with Hi-Tone Eclipse 2x12 and 4x12 cabinets, but they can sometimes also be bought in the replacement speakers section on the Hi-Tone site. (bottom row) mid 2000s Crescendo 12MB 300w PA speaker and cone. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. These are the same sound clips from this page. Spain, Thanks folks. 4x12" cabs are overkill for home playing and are really only necessary for large venues. Established in England, 1958. Shown above - Examples of frame spoke labels used on Fane Crescendos from the 1970s. Iconic artists such as Pink Floyd, The Who, The Rolling Stones and many more used equipment loaded with FANE speaker components, making FANE an integral part of the British music scene revered throughout the world. Many of these were PA speakers and none are the type Gilmour used. They work very well with the Hiwatt frequency range however. Get the best deals on Fane when you shop the largest online selection at eBay.com. Some of them can be used as guitar speakers, but they were nothing like the old Crescendo 12A speakers. Outstanding Reliability. Its articulate high end and super-tight bottom deliver precision and punch while maintaining the legendary Fane tonal character. The Showman was basically the head version of the Fender Twin Reverb, for use with and external speaker cabinet. During this period production grew to exceed 50,000 units per week. You must log in or register to reply here. What's Dope? The Ascension F25 is a low wattage, 25 watt, ceramic magnet, guitar speaker with an emphasis on crunch and mid-range presence. On the other hand, I like my small open backed Fender combos when playing clean and overdrive because they sound better filling the room. Your purchases also help protect forests, including trees traditionally used to make instruments. It utilizes a wood cross brace rather than steel, but the build specs and looks are very similar, and it has a similar embroidered cloth pattern. 1963-67 blackface Twins and early silverface ('67-69) Twins are the same circuit as far as the sound produced, and most ideal for Gilmour tones. Interesting news about the Crescendo revivalwill they manufacture it the same as it was 45 years ago, or will they try to reproduce the sound that an old and worn-in driver makes? The Twin Reverb II still retained the basic Fender clean tone. Weber FC12 speaker with a Green Russian Big Muff - In Any Tongue solo, Weber FC12 speaker with a BKB 911 Tube Driver - Louder than Words solo, Shown above - Hi-Tone 75w DR-F speaker made by Eminence, based on a Fane purple backed speaker from the 1970s. Players worldwide pay continued homage to those classic sounds. In some ways the 75 sound is the opposite of the Fane Crescendo, which is why they balance so well with them. However, if your roadie has a heart pacemaker, he/she should not pick up that WEM 4x12 and hold it close to his/her chest. By clicking Subscribe, I agree to receive exclusive offers & promotions, news & reviews, and personalized tips for buying and selling on Reverb. Note the aluminum dust caps indicate these are Crescendo 12 'A' type speakers. The revolutionary and trail-blazing new speaker technology was highly successful. Hey! Keep in mind that this is just one Crescendo, and not all Crescendos will sound identical. The pedals he used in that rig were often a Rat, Boss CE-2 chorus and Boss CS-3 compressor. They do not have the same range in the highs and have a darker, fatter sound compared to the Fane Crescendo, but work well with a Hiwatt for Gilmour tones. The cast metal speaker frames had four spokes with a notch hole cut out of the bottom of each spoke around the mounting screw holes. We aretrusted and proven to deliver superior sound quality in the most demanding sound reinforcement applications, by the worlds most famous sound system designers, high quality musical instrument amplification brands and fixed installation companies. Gilmour's 1990-91 era 59 Bassman reissue with 10" blue frame Alnico Legend 1028P speakers (Evidence Audio photo), 10" blue frame Alnico Legend 1028P speakers with paper voice coils, made by Eminence for Fender. Later 1970s and 1980s models changed to plastic push tags. A period of changes of ownership and lack of direction combined to make the next few years challenging for FANE. - Less than 10 hours of use at moderate amplifier volume . I have seen many examples of Fanes with those brand labels on the exact same cast metal frame as the Crescendo, but they were not Crescendos. Closed-back cabinets sound more focused and project the sound in one direction. I also have 4 x 12 original Pulsonic cone, 1972 G12Hs but . From the start, FANE had also produced large 12-inch bass drivers for OEMs in the specialist hi-fi industry in addition to producing its own hi-fi products such as the Quartet complete loudspeaker system. Different tubes offer different sound characteristics, which can affect the cleanness and EQ of the tone. From its inception FANE demonstrated the pioneering spirit that has comprised a core element of its ethos through to the present day. 150w power handling, >100 db efficiency. Tony474 thanks for keeping it basic! Compared to my original Crescendos, the Crescendo A is slightly brighter, with slightly more treble/upper mids, and slightly less low end. One unit was equipped with aluminium voice coil windings, a favourite technique of Arthur Falkus to extend high frequency response. Many people replaced these (including Gilmour) with a real 5AR4/CV1377 rectifier tube. In the 1970s Fane made speakers for Selmer,Watkins (WEM), Simms-Watts, and Dave Reeves of Sound City and Hiwatt fame, which is likely where Pink Floyd was first introduced to them. Butler Tube Driver through 59 Bassman LTD - Strat with EMG-SA pickups, Gilmour's 59 Bassman reissues and Hiwatt SA212 stereo rig used for the 1993 Pink Floyd recording sessions (left) and later in 1999 and 2004 (right). Hi-Tone DR-F speaker with a Green Russian Big Muff - In Any Tongue solo, Hi-Tone DR-F speaker with a BKB 911 Tube Driver - Louder than Words solo, Reeves original 75w Vintage Purple speaker made by Eminence, based on Fane purple backed speakers from the 1970s, Reeves later 75w Vintage Purple speakers made by WGS, also based on Fane Vintage Purple speakers. As Celestions are widely available - is there one closest to the vintage Fanes that David Gilmour used ? showan above - 59 Fender Bassman reissue from 1990 with blue frame alnico speakers made by Eminence. Ted Weber FC12 100w ceramic speakers with aluminum dust covers are described as having the "Classic British Fane Crescendo tone". Note the aluminum dust caps visible through the grille cloth, indicating these are Crescendo 12 'A' type speakers. Leverage your professional network, and get hired. Established in England, 1958. Good condition items function properly but may exhibit some wear and tear. FANE Towards Perfection was a phrase used to reflect the pedigree and mission statement that the company was striving so successfully to achieve. Classic Fane build quality, titanium reinforced frame, rare anisotropic ferrite magnet. Anyone else needs to contact them, just go to the main website. Shown above - One of my Fane Crescendo 100w 12 A speakers from 1976 or 1977 with 122326 ID code. We aretrusted and proven to deliver superior sound quality in the most demanding sound reinforcement applications, by the worlds most famous sound system designers, high quality musical instrument amplification brands and fixed installation companies. Hearing a Hiwatt through the Starfinder speaker is instantly recognizable as the Gilmour Pink Floyd sound, especially his early to mid 1970s tones. The sound is very detailed and cuts straight through in a band mix. 2018 underlines our continued commitment to product development and innovation with the launch of FANE Imperium a formidable addition to our professional range of products to stand alongside the Colossus Series, delivering outstanding efficiency to provide a definitive performance advantage and another legendary FANE product for the future. Little is known about the speakers in David's combo amplifiers, but Phil Taylor revealed in an interview (Feb 2015 Guitarist Magzine) that David also uses Fane Crescendos in his Hiwatt SA212 combo studio amp. Fane has a strong heritage and history in sound engineering excellence. View similar gear from other sellers on Reverb. Learn More. Every day, Tahitian plays an important role in Polynesian society, whether in conversations, the names of political parties or first names. But I have directly compared my Rawson Sparfield Starfinder DG12A against EVM12L, EV AlNiCo SRO and Altec 417 speakers. (bottom left to right) 1983 Crescendo 12 'E' speaker cone, 1977 12 A speaker cone, and 100A speaker and cone. The Ascension N30 captures the complex sonic structure usually associated with an alnico loudspeaker in a light weight neodymium format imbued with Fane's authentic vintage tone. Celestion G12T-75 speaker with a Green Russian Big Muff - In Any Tongue solo, Celestion G12T-75 speaker with a BKB 911 Tube Driver - Louder than Words solo. I have Creams in a few cabs and have a pair of 72 Fane 122231 Purple Back speakers as well as a pair of Hi Tone 231 clones. Weber FC12 ceramic en 8 ohm. Hey! Very dynamic. Shown above - Original WEM speaker cabinet badge and cloth pattern. In 2010 Hiwatt UK briefly sold an unlicensed, China made, WEM branded Starfinder 4x12 cabinet made of particle board with printed cloth. showan above - 59 Fender Bassman reissue from 1990 with blue frame alnico speakers made by Eminence. from 1994. Drivers for household or reinforcement use were advertised in 1959. At the outset of the new ownership, key FANE staff who were employed during the 1970s and 1980s were recruited to give the team strength in expertise, commitment to continuous improvement and authenticity to the core FANE character. Guitar loudspeakers, hand crafted in England, that deliver incredible quality and tone. I'm after the sensitivity ideally, along with any other info. Fane, 15 Ohm, 40W, 12" Guitar Speaker. The 65 reissue is basically the blackface/early silverface Twin Reverb circuit architecture with two 12" Jensen C12 speakers. $279.00. Reeves claims they sound very similar to the original Purples, but I have never tried them. David Gilmour's Marshall JCM-800 speaker cab loaded with Celestion speakers and his WEM 4x12 cab loaded with Fane Crescendo 100w speakers, Fane has a strong heritage and history in sound engineering excellence. David is also using the new Butler Tube Driver pedal, sounds better than the old ones! Fender says they are 30w, but they are actually the same 20w Legend 1028P blue frame Alnicos found in the original Bassman RIs. Originally the UK made T-75s were brighter sounding, but around 1995 Celestion changed the voicing to a darker sound, with much more mid scoop and low end. In 2008 the FANE product line was officially re-launched under the ownership of the Barnes family with headquarters still located only ten miles from the original FANE factory in Batley, West Yorkshire. 1973 and 1974 tours. New landmarks, such as the first commercially available 24-inch loudspeaker and 4-inch voice coils, enabled FANE to strengthen during this period under the leadership of Arthur Barnes. $700 Used - Excellent Matched Pair #3 - B&C 15PZB40-8 Pro Grade 1,400 Watt 15" Speakers/Woofers - Look & Sound Great! TDPRI, short for Telecaster Discussion Page Reissue, is the leading online community and marketplace for Telecaster guitars. A 1x12" cab or 2x12" (two 12" speakers) is suitable for most home or small venue players. FENDER SPEAKERS - David used a 1972-74 era Fender Dual Showman Reverb head with a matching Fender 2x15 inch speaker cabinet in the 1976 recording sessions for Pink Floyd's Wish You Were Here album, along with his Hiwatt/WEM cab, and a Leslie 760 rotary speaker cab. Also note the notches around the mounting screw holes that cut through the frame spokes. The Alembic F2-B preamp was essentially two Twin Reverb/Showman preamps in one rack enclosure. Similar to the Fane Crescendo speaker with a warmer, more compressed and fattened tone at higher volumes. Oops, looks like you forgot something. The unit used a high frequency electrical discharge to produce sound waves by ionising the air in a small quartz tube coupled to a flared horn. Timbre Wolf said: I haven't had the pleasure of playing through an original vintage Fane Crescendo. Big magnet, cast framed beauty! This Speaker can be Paired and is the same as GSFS00012. Overnight speaker power handling was doubled and the legendary Crescendo MI range was born. Models that perfectly balance heritage with innovation, providing the elusive qualities of high performance, exquisite tonality and consistent quality. Free shipping on many items | Browse your favorite brands | affordable prices. #1 morgansofas Tele-Meister Joined Feb 15, 2013 Posts 306 Location Sherwood Forest, UK Hi All, I've just bought a Fane Crescendo 12" 100w, serial number 19/72, 15 ohm. Don't miss out on these ! 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Original Pulsonic cone, 1972 G12Hs but plywood covered with plain tweed cloth, indicating are... External speaker cabinet badge and cloth pattern backs, especially fane crescendo speakers early to mid 1970s tones company striving... Hearing a Hiwatt I instantly recognized the Gilmour Pink Floyd sound, especially his early to mid 1970s tones Starfinder... Purchases also help protect forests, including trees traditionally used to make the next few years challenging for Fane,...